WORKS

The artist’s process begins with meditation, allowing an inner image to form before ink meets paper. Working with ink on hanji, a single, decisive brushstroke unfolds within an empty space understood as a field awaiting the birth of life.

Wooden desk with a closed laptop, two notebooks with pens, a small bowl, a vase with a purple flower, a white desk lamp, and some stacked books.
Close-up of a wooden desk with a pen, an open notebook, and decorative items including a white vase, a glass with pens, and a small stack of books.

The Atlas Project

A wooden desk with a desk lamp, a small vase with a purple flower, a bowl, two closed notebooks, a laptop, a pen, and a stack of books with a cup on top.

The Atlas Project

A wooden desk with a closed silver laptop, a white notebook with a pen, a table lamp, a glass vase with a single purple flower, and closed windows with beige curtains.

The Brightline Project

A minimalist scene with a laptop, a white cup, and a closed notebook with a pen on top, arranged on a textured white slab against a neutral background.
A wooden desk with a closed laptop, a notebook with a pen, a glass vase with a single purple flower, and a beige desk lamp. A curtain is visible in the background.

The Echo Project

The Brightline Project

The Lumen Project

TRACES - Relations

While I have constantly shifted, modified and adjusted the style and substance of my work over the years, the core focus has largely remained the same: a contemplation of our individual finite lives in an infinite cosmos. I find a particular beauty in the emotional energy created by our unique experience of life -- the endlessly varied interplay of humility and hubris, of gratitude and disappointment, of elation and anguish.

And I seek to visualize this energy in my work -- to illustrate the waves it generates, as well as the traces it leaves behind. It is something akin to musical composition, with the ink - produced from wood, fire and water - finding a harmony with the silent, white paper.